Architectural Urbanism is an ambition and sensibility for propositions that address the context of the city within the operative scale of the small architectural project. Architectural urbanism represents a tailoring of projects to the local; to the materiality and specificity of the everyday; and to the grain and substance of the location above all else. Architectural urbanism is less about erasure and more about insertion; infill; the weaving of old and new and the dynamics that evolve from subtle and careful manipulation of the city in detail.
During his life, and in the years following his death, Cochrane was frequently compared to Nelson, but such a comparison does him no favours: their backgrounds were very different, their naval careers had little in common, and their achievements were not remotely comparable. Nelson had the good fortune to be born at the right time so that he was in a position of relatively high command when the opportunities arose; in addition to his personal courage and his qualities as a bold tactician and an inspirational leader, he was the supreme exponent of pitched battles between fleets. Cochrane never commanded a squadron, let alone a fleet, until he arrived in South America and the circumstances and conditions there bore little resemblance to those that Nelson faced in Europe. A more meaningful comparison would be with those seamen who excelled at coastal raids such as Sir Francis Drake and Sir Henry Morgan - or John Paul Jones, a fellow Scot who became an American hero, made his name with some spectacular single-ship actions, but ended his career fighting for the Russian navy.
Fortune would have many influences in cultural works throughout the Middle Ages. In Le Roman de la Rose , Fortune frustrates the hopes of a lover who has been helped by a personified character "Reason". In Dante's Inferno (-96) Virgil explains the nature of Fortune, both a devil and a ministering angel, subservient to God. Boccaccio 's De Casibus Virorum Illustrium ("The Fortunes of Famous Men"), used by John Lydgate to compose his Fall of Princes , tells of many where the turn of Fortune's wheel brought those most high to disaster, and Boccaccio essay De remedii dell'una e dell'altra Fortuna , depends upon Boethius for the double nature of Fortuna. Fortune makes her appearance in Carmina Burana (see image). The Christianized Lady Fortune is not autonomous: illustrations for Boccaccio's Remedii show Fortuna enthroned in a triumphal car with reins that lead to heaven,  and appears in chapter 25 of Machiavelli's The Prince , in which he says Fortune only rules one half of men's fate, the other half being of their own will. Machiavelli reminds the reader that Fortune is a woman, that she favours a strong, or even violent hand, and that she favours the more aggressive and bold young man than a timid elder. Even Shakespeare was no stranger to Lady Fortune: